Slender as a marbled vein -

"Princess of Diamonds"
digital collage by Mick Mather

Here we have a simple monument to things classic. A style, a fashion, a mode and a look that tends to stand up to the test of time.

NEW from The Trinity Series -

“Working Class Silence and Hope”
(Trinity #13 - Installed)
marble sculpture by Mick Mather

As those of you who have been following along already know, I spent much of this weekend at The Carving Studio & Sculpture Space in West Rutland, Vermont creating "Working Class Silence and Hope" (Trinity #13). This piece will be part of SculptFest08 with an opening Saturday, September 13th and the exhibition continuing through October 26th. This year's theme is "Human Interventions and the Industrial Landscape", curated by Carlos Dorrien, Sculpture Professor at Wellesley College. As can be seen, the piece is dry stacked marble on a large marble plinth. From the bottom of the base to the tallest column the work is 7-feet tall and 7-feet wide. Upon arrival at the site things began to vary a little bit from the original sketch when it became obvious to me that the columns needed to be separated from the industrial dock where the work is sited. The natural marble slab was the answer and this monster weighs in at almost 2 tons. The industrial surroundings, merging sharply with the natural environment along with shape of the plinth, further suggested an alternate arrangement of the columns - each measuring about 15" to 18" inches in diameter. When you consider that better than 60% of the marble pieces needed shaping before placement amid hordes of mosquitoes, black flies, midges, no seeums, bees and wasps, it was a major task of whack & stack to get this erected. While my body is bug-bit, sunburned, muscle and tendon stressed, I'm on the mend. Those physical issues fade in the shadow of accomplishment and, in a heartbeat, I would do this again ... just not for a little while. Okay?