Stretching the limits?

"Disappearing Into A Gridded Landscape"
digital collage by Mick Mather

Today's post is tied to some of the research I've been doing for months and, more specifically, this past week at the blog, Walking Art. The land art movement, with roots all the way back to the 1960's, is exploding as social issues such as sustainability, recycling, the environment, rural and urban planning begin to settle out from the radical activist fringe. Grass-roots organizing on the local level is slowly replacing the hippy dippy junk-science-based paradigm with better informed models, experiments and projects that place all of these important issues back within the realm of good stewardship, where they belong. The better news here is that individual ideas of art, public art and land use interpretation is shattering the elitist viewpoint and returning art to the masses. At the same time, the individual is empowered to redefine certain forms of conceptual art for himself by simply taking a walk. With digital cameras, video and other emerging technologies new methods of creating and documenting en plein air art are added to traditional forms of painting, drawing or sculpture. There's much more to say but, not having the room in this forum, I'll do what I can to reveal those areas where I'm in concert with some of the new directions and movements that I'm beginning to see.